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	<title>Comments for CapallGlas</title>
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	<link>http://www.capallglas.com</link>
	<description>Fine Art and Photography</description>
	<lastBuildDate>Wed, 28 Mar 2012 20:07:19 -0700</lastBuildDate>
	
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		<title>Comment on A walk on Bray Head; Some Photos by adomnán</title>
		<link>http://www.capallglas.com/2011/06/22/a-walk-on-bray-head-some-photos/comment-page-1/#comment-1207</link>
		<dc:creator>adomnán</dc:creator>
		<pubDate>Wed, 28 Mar 2012 20:07:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=673#comment-1207</guid>
		<description>Beautiful pics. I&#039;ve never been right to the top, but I have seen the cross from below. The cliff walk is very good</description>
		<content:encoded><![CDATA[<p>Beautiful pics. I&#8217;ve never been right to the top, but I have seen the cross from below. The cliff walk is very good</p>
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		<title>Comment on Gelatin Prints by admin</title>
		<link>http://www.capallglas.com/2011/06/17/gelatin-prints/comment-page-1/#comment-1189</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sat, 20 Aug 2011 21:53:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=655#comment-1189</guid>
		<description>Hello! I have also used glass plates. There is definitely a difference with gelatin, as the surface is soft. Inks move more on the plate as you print, so lines are softer. I use watercolors on gelatin and as you use a brayer the paint mixes with some gelatin and can make a 3D effect. I found that the watercolors and inks do not work as well on glass, so I use acrylics or block printing inks on glass, which are opaque. Therefore, in general, Gelatin Monoprinting gives a softer line, and for me it means more use of transparent watercolors rather than opaque printing inks.</description>
		<content:encoded><![CDATA[<p>Hello! I have also used glass plates. There is definitely a difference with gelatin, as the surface is soft. Inks move more on the plate as you print, so lines are softer. I use watercolors on gelatin and as you use a brayer the paint mixes with some gelatin and can make a 3D effect. I found that the watercolors and inks do not work as well on glass, so I use acrylics or block printing inks on glass, which are opaque. Therefore, in general, Gelatin Monoprinting gives a softer line, and for me it means more use of transparent watercolors rather than opaque printing inks.</p>
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		<title>Comment on A walk on Bray Head; Some Photos by admin</title>
		<link>http://www.capallglas.com/2011/06/22/a-walk-on-bray-head-some-photos/comment-page-1/#comment-1188</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sat, 20 Aug 2011 21:40:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=673#comment-1188</guid>
		<description>Not sure why it did not come up. Might be your browser, as I have not had any other complaints. The photos are large files and may take a few moments to load.</description>
		<content:encoded><![CDATA[<p>Not sure why it did not come up. Might be your browser, as I have not had any other complaints. The photos are large files and may take a few moments to load.</p>
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		<title>Comment on Gelatin Prints by Thomas A. Marino</title>
		<link>http://www.capallglas.com/2011/06/17/gelatin-prints/comment-page-1/#comment-1186</link>
		<dc:creator>Thomas A. Marino</dc:creator>
		<pubDate>Fri, 29 Jul 2011 00:55:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=655#comment-1186</guid>
		<description>why use gelatin instead of glass or plexi plate???</description>
		<content:encoded><![CDATA[<p>why use gelatin instead of glass or plexi plate???</p>
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		<title>Comment on Gelatin Prints by Thomas A. Marino</title>
		<link>http://www.capallglas.com/2011/06/17/gelatin-prints/comment-page-1/#comment-1185</link>
		<dc:creator>Thomas A. Marino</dc:creator>
		<pubDate>Fri, 29 Jul 2011 00:54:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=655#comment-1185</guid>
		<description>i have made glass plate monoprints and made a few gelatin plate but I would like to know why use a gelatin plate at all????</description>
		<content:encoded><![CDATA[<p>i have made glass plate monoprints and made a few gelatin plate but I would like to know why use a gelatin plate at all????</p>
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		<title>Comment on Another interim view (BtS) by meaghan newhouse</title>
		<link>http://www.capallglas.com/2009/06/02/another-interim-view-bts/comment-page-1/#comment-1014</link>
		<dc:creator>meaghan newhouse</dc:creator>
		<pubDate>Mon, 18 Jan 2010 13:20:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=329#comment-1014</guid>
		<description>omigosh, i know you already showed me this at grandma&#039;s house when you came for christmas but i still LOVE the colors, they are so bright.</description>
		<content:encoded><![CDATA[<p>omigosh, i know you already showed me this at grandma&#8217;s house when you came for christmas but i still LOVE the colors, they are so bright.</p>
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		<title>Comment on A means of support by admin</title>
		<link>http://www.capallglas.com/2009/01/16/a-means-of-support/comment-page-1/#comment-12</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Wed, 21 Jan 2009 21:24:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=33#comment-12</guid>
		<description>I&#039;ve found that they still look cool unframed, but my fave framers out here have developed a framing method for the panels that is awesome.  They bolt the panel into a shadow box frame, letting you see the sides, and letting you add another layer to the piece.  Very cool.

Ive worked for a while with icon-writing and the techniques are different than the ones I read for Da Vinci.  Can&#039;t see keeping the urine around m&#039;self.  Sinopia pigments has some great info on gesso recipes.  And they sell all of the non-urine related ingredients.

I&quot;ve also bought ready mixed dry ingredients for chalk gesso from Utrecht, even though I have the dry ingredients at home.  I thought I would give it a try, and see if I need to keep my bins full of whiting and dust.  (sneeze factory)  The complicated part has always been mixing in the glue solution without lumps.

I shall be glad to discuss at the forum.  I&#039;m not terribly experienced in it, but I&#039;ve experimented with various things.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve found that they still look cool unframed, but my fave framers out here have developed a framing method for the panels that is awesome.  They bolt the panel into a shadow box frame, letting you see the sides, and letting you add another layer to the piece.  Very cool.</p>
<p>Ive worked for a while with icon-writing and the techniques are different than the ones I read for Da Vinci.  Can&#8217;t see keeping the urine around m&#8217;self.  Sinopia pigments has some great info on gesso recipes.  And they sell all of the non-urine related ingredients.</p>
<p>I&#8221;ve also bought ready mixed dry ingredients for chalk gesso from Utrecht, even though I have the dry ingredients at home.  I thought I would give it a try, and see if I need to keep my bins full of whiting and dust.  (sneeze factory)  The complicated part has always been mixing in the glue solution without lumps.</p>
<p>I shall be glad to discuss at the forum.  I&#8217;m not terribly experienced in it, but I&#8217;ve experimented with various things.</p>
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		<title>Comment on A means of support by Bran Mydwynter</title>
		<link>http://www.capallglas.com/2009/01/16/a-means-of-support/comment-page-1/#comment-10</link>
		<dc:creator>Bran Mydwynter</dc:creator>
		<pubDate>Mon, 19 Jan 2009 23:51:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=33#comment-10</guid>
		<description>That compromise is great! Thanks. :)

I was researching gesso back when I was working at the editorial company; we did museum exhibit catalogs, and we had been doing one for DaVinci, so during the day I read about the different ways he made his own and became curious about others&#039; recipes.

I&#039;m not sure I could keep urine around in a bucket, at least in this housing complex. ;)

Anyway, I think that working with panels would be a classy way for me to get around the facts that we can&#039;t afford framing at the moment and I hate the way unframed things (like posters) look on a wall.</description>
		<content:encoded><![CDATA[<p>That compromise is great! Thanks. <img src='http://www.capallglas.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>I was researching gesso back when I was working at the editorial company; we did museum exhibit catalogs, and we had been doing one for DaVinci, so during the day I read about the different ways he made his own and became curious about others&#8217; recipes.</p>
<p>I&#8217;m not sure I could keep urine around in a bucket, at least in this housing complex. <img src='http://www.capallglas.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
<p>Anyway, I think that working with panels would be a classy way for me to get around the facts that we can&#8217;t afford framing at the moment and I hate the way unframed things (like posters) look on a wall.</p>
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	<item>
		<title>Comment on A means of support by admin</title>
		<link>http://www.capallglas.com/2009/01/16/a-means-of-support/comment-page-1/#comment-8</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sat, 17 Jan 2009 22:02:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=33#comment-8</guid>
		<description>Thank you for the input. Changed the link, &quot;Mydwynter Studios Art Forum&quot; was too long, but I think the compromise is better than the original,  it&#039;s your forum, tell me what you think..  Preparing wood surfaces-very cool. I&#039;ve been working with acrylic panel gesso from Art-Boards, as well as researching making white and colored traditional gesso.  The icon supports were done with some very elaborate instructions from a book I can&#039;t find in my studio. I may have to reorder it.</description>
		<content:encoded><![CDATA[<p>Thank you for the input. Changed the link, &#8220;Mydwynter Studios Art Forum&#8221; was too long, but I think the compromise is better than the original,  it&#8217;s your forum, tell me what you think..  Preparing wood surfaces-very cool. I&#8217;ve been working with acrylic panel gesso from Art-Boards, as well as researching making white and colored traditional gesso.  The icon supports were done with some very elaborate instructions from a book I can&#8217;t find in my studio. I may have to reorder it.</p>
]]></content:encoded>
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	<item>
		<title>Comment on A means of support by Bran Mydwynter</title>
		<link>http://www.capallglas.com/2009/01/16/a-means-of-support/comment-page-1/#comment-7</link>
		<dc:creator>Bran Mydwynter</dc:creator>
		<pubDate>Fri, 16 Jan 2009 22:49:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.capallglas.com/?p=33#comment-7</guid>
		<description>Looking forward to seeing what comes of this. :)

BTW- in the text of the second entry you refer to it as the &quot;Mydwynter Studios Art Forum&quot;, which is right, but in the sidebar of links you&#039;ve left out the &quot;Studios&quot;. It might get confusing to...somebody. :)

Someday, may I have a &quot;preparing wooden surfaces&quot; lesson? I&#039;d like to start messing around with egg tempera eventually. :)</description>
		<content:encoded><![CDATA[<p>Looking forward to seeing what comes of this. <img src='http://www.capallglas.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>BTW- in the text of the second entry you refer to it as the &#8220;Mydwynter Studios Art Forum&#8221;, which is right, but in the sidebar of links you&#8217;ve left out the &#8220;Studios&#8221;. It might get confusing to&#8230;somebody. <img src='http://www.capallglas.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>Someday, may I have a &#8220;preparing wooden surfaces&#8221; lesson? I&#8217;d like to start messing around with egg tempera eventually. <img src='http://www.capallglas.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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