Another interim view (BtS)

Almost done. Not quite, but almost

Almost done. Not quite, but almost

I am moving along on this one. Lots of color, lots of motion. Clear divisions of color, from bright foreground to dark background. I’m enjoying it.

KJN

 


Three words (BtS)

So, this one is working up so fast, I haven’t marked my ‘three words’ for it yet.

‘Behind the Sun’ is one of my most color intensive pieces to date. “Color” is a key to this piece. And, as I try to do in all my color pieces, colors move around the piece. Always use a color in more than one space, to keep the elements of the art unified. Violet makes an appearance in the shading of the sun, as well as in the mixing of the cooler purples of the moon. It also is used to shade the browns in Earth.

The brilliant yellow in the sun also appears in the mixing of browns, golds and greens in Earth.

Let’s see…

‘Perspective’ is important in this piece. Not the concept of perspective as an art term, but the concept of looking from a certain point. You are behind the sun, watching Raven and the planets dance.

The framework of ‘Behind the Sun’ is meant to be a series of interlocking puzzle pieces, building blocks of the universe, framing a moment of the planetary dance. Everything is a part of a greater whole. Color, shape, movement and music are parts of the piece. I suppose ‘pieces’ will bring that to mind.

‘Color’ and ‘Perspective’ and ‘Pieces’ of the puzzle. These are words for ‘Behind the Sun’ that should help me focus on the important elements.

KJN

 


Cats and progress (BtS)

Some detail on Gaia

Some detail on Gaia

Sometimes the cats sneak in when I’m grabbing a cup of tea, or using the bathroom. Here is a small patch of blue, tracked from the blue waves while they were still damp, and carried across the neck of Gaia. My black cat, Hezz, is fascinated by paint. She sniffs and rubs on paintings, drinks the water used for washing brushes, and will fang my paint tubes if I leave them out.

I’m sure that forensics would prove that the small paw print belongs to her and not to the large ginger cat, Shortbread, or the cranky outdoor cat, Mary.

Two paw prints and a scratch were covered up on the Pookah, and a whisker has permanently adhered to the tempera in Birch Interlace.

It shouldn’t be hard to cover this print. Stay tuned.

KJN

 


work, work, work (BtS)

Some basic work done

Some basic work done

The color is a lot of fun on this piece. I did the layout onto the watercolor paper just as I did the Pookah, by taping up a tracing of the design to the window near my easel, and taping up a piece of paper over it. This is cold press paper, primarily because my largest sheets are cold press at this point.

The colors are not meant to be ‘realistic’ here. They are meant to be an organized riot of definition, helping to bring the painting to the viewer without too much explanation. I hope to have people recognizing where they are standing without much more backstory than the title. Having the sun be obvious, with pointy, triangular rays and everything, I hope that the continuation of recognizing the moon and Earth will follow.

Liquid watercolors by Dr. Ph Martin are my favorite paints for working up quick, intense and vibrant colors. I add a few other tubes, mostly Winsor and Newton ochres, to get some quick opacity and some ochre granulation, as seen in the red center of the sun. The image of Gaia, inspired by a lovely lady of my acquaintance, is not meant to be realistic. It is a stylized symbol, loosely based on my memory of a beautiful person.

KJN

 


Notes on a new piece (BtS)

Pencil layout

Pencil layout

Welcome to piece number five of the Angelus Project.

As can be seen, I am rather behind schedule and it is unlikely I will finish six pieces by the show on June 13/14. But I’m certainly farther along than I would have been without the blog.

The design for ‘Behind the Sun’ is actually rather recent. I worked it up quickly after my trip to Ireland in 10/2007, when I was feeling rather creative. The design requires a bit of explanation, more so in the black and white sketch than in color, as the colors begin to bring the symbols into perspective.

The actual inspiration is a series of very small sketches in the book ‘Sun, Moon, and Earth’ by Robin Heath. The book is a wonderful introduction to the motion of stars and planets, and the sketches illustrate the movement of the sun, moon and Earth in the state of ’syzygy’ or alignment, during a solar eclipse.

I moved the perspective of the viewer to a place behind the sun during a solar eclipse, thus the largest body in the foreground is the sun, with a smaller moon and then Earth, symbolized by Gaia. The background Raven was the latest addition, after the poem took shape.

The poem began with the second stanza, regarding the reason for Raven’s black feathers. It is my favorite part of the poem. I began writing it after a morning of reading Native American myths of Raven to a small boy named Luke. We especially liked the story of Raven stealing the sun. We also liked the illustrations very much.

(Hi Luke!)

KJN

 


Behind the Sun (The Oak and the Vine)

Behind the Sun (The Oak and the Vine)
…From ‘Songs of Arcadia’

Raven sits with ruffled feathers,
Stately dancers pass him by.
Bored with stealing tawdry glitter,
Bored with pockets filled with glitter,
What to do with diamond glitter?
Tosses it into the sky.

Raven hunches, preening feathers
Everdark with soot and smoke.
Stole the Lamp, the Evershining,
Gift to Man, the Everwhining,
Scorched by Fate, the Everbinding.
Whole thing meant to be a joke.

Raven grumbles, hoarse and cranky.
Voice no longer sways the heart.
Cursed the dancers’ drunken leaping,
Chased the dancers and their leaping,
From his Gaia, softly sleeping,
Waiting for a song to start.

A new song is coming
The old song will twine
Springtime and Summer
The oak and the vine

Sun in the branches
Moon drunk on wine
Autumn and Winter
The oak and the vine

Raven flying, sharp and restless
Hunts for something new and bright.
Eyes of Gaia’s children watch him
Hide behind the sun to catch him
Do you have the wits to match him?
Mocking laughter, thief of night.

 


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